Joyce SoHo in asociation with Stefanie Nelson Dancegroup present the U.S. premiere ofProximity Spiral, an evening length work for eight dancers inspired by the haunting simplicity of a Fibonacci sequence, in which physical power and vulnerability vie for prominence in a highly charged sensual arena. Set to an exciting sound score featuring original music by Iranian composer Sahand Rahbar and Hugh Mann. Collaborating artists include filmmaker and academy award nominee Joan Schimke-Stein, lighting and set designer Solomon Weisbard, and costume designer Ashley Gardner.
Performers Malinda Crump, Katie Federowicz, Jeffrey Kent Jacobs,
McKay Montz, Matthew Oaks, Ali Schechter, Ariana Siegel, Yin Yue.
Proximity Spiral has received financial support from the Lower Manhattan Cultural Council’s 2010 Fund for Creative Communities, Fullsail University (FL), and Dance New Amsterdam (NYC), and has been supported with space grants from the The Field, the New 42nd Street studios, and The Harkness Dance Program at the 92nd Street Y.
MASIIL 40 minutes, 9 dancers
Structurally based on a fibonacci sequence, using movement generated from the dancers individual studies of physically vulnerable body parts, MASIIL is a physically charged piece rooted in lush, grounded movement.
MASIIL Prologue – REQUIEM (8 minutes) Premiere – Museo Villa Guinigi, Lucca, ITALY (Sept. 12, 2008) Choreography: Stefanie Nelson Performers: Hallie Dalsimer, Katie Federowicz, Jeff Jacobs, Stefanie Nelson, Yarden Raz, Valentina Savelyeva Music: G. Puccini (Mentia L’Avviso, excerpt and Requiem) Costumes: Stefanie Nelson
This work was created in residence at Fuoricentro, Lucca, ITALY (Sept. 2008). It is one of three new works commissioned by the festival Schegge di Danza: Miniature Pucciniane, presented at the National Museum Villa Guinigi as part of a city wide, year long celebration of the 150th anniversary of the birth of Giacomo Puccini.
Special thanks to Elisabetta Fiorini and Bruce Michelson.
MASIIL (32 minutes) Choreography: Stefanie Nelson, in collaboration with the dancers Performers: Nathanael Buckley, Hallie Dalsimer, Katie Federowicz, Jeff Jacobs, Stefanie Nelson, Matthew Oaks, Yarden Raz, Nile Russell, Valentina Savelyeva Music: Hugh Mann (Autonomic), Ayub Ogada (Kothbiro), Hugh Mann (Plans for Mice and Men & Requiem for the Living), Alberto Inglesias (Three Bees Testing), Serge Gainsbourg, (Torrey Canyon), Peter Gabriel (With This Love-Choir), Cirque de Soleil (Mer Noir, excerpt), Radiohead (Hunting Bears), Angelo Badalamenti (Dub Driving), David Byrne & Brian Eno (Mea Culpa) Sound Design: Stefanie Nelson, Matthew Oaks Costumes: Stefanie Nelson
This work was created from material developed while in residence at the Baryshnikov Arts Center in 2008.
Venn Duet (Did she fall or was she pushed?) 14 minutes, 2 dancers
Photo Credits: Sally Cohn
Choreography: Stefanie Nelson
Performers: Benjamin Asriel and Bergen Wheeler
Music: Arvo Pärt (Spiegal im Spiegal), Anniki Tahti & Poutahaukat (Muistatko Monrepos'n)
Sound Design: Benjamin Asriel, Michael Benjamin, and Stefanie Nelson
Light Design: Liz Villard
Costume Design: Stefanie Nelson
This work was commissioned by The Yard and was created during the Bessie Schönberg Choreographers' Residency.
REVIEWS
“...In 'Venn duet', danced by Benjamin Asriel and Bergan Wheeler, choreographer Stefanie Nelson used earthquake-like moves to give birth to her work. The duet had several segments and the dancers seemed at times playful and argumentative. Their bodies melted into one, changing shape and meaning, a tribute to the dancers' ability and the choreographer's vision. This piece was always interesting and challenging for the audience.” MVTimes:Sensual and sensational By Anna Marie D'Addarie - September 20, 2007
Out of Wonderland 52 minutes, 5 dancers
Out of Wonderlandis a physically powerful, emotionally poignant work inspired by speculation about Charles Dodgson (Lewis Carroll, author of Alice’s Adventures in Wonderland) and his relationship to his real life Alice. Nelson and Breyer create a fantastical world where dancers immerse themselves in full-scale video projections and time-based technologies, blurring the lines between reality and illusion. Based on raw, explosive solo performances, Out of Wonderlandinvestigates feelings of fragmentation and dislocation.
Choreography: Stefanie Nelson in collaboration with the dancers Music: Excerpts from Trentullo (composed, mixed and performed by Andrea Ferrara) White Rabbit (written by Grace Slick, performed by Jefferson Airplane)
La Soledad (written by Pink Martini, performed by Pink Martini) Ar Aare & Ur Ur Lauter Georg (written by Mathias Kunzli, performed by Rashanim - Jon Madof,
Shanir Ezra Blumenkranz, & Mathias Kunzli)
Que Sera Sera (written by Pink Martini, performed by Pink Martini)
Excerpts from Trentullo (composed, mixed and performed by Andrea Ferrara)
Help Yourself (written and performed by Death in Vegas) Video / Interactive Gallery Installation: Nell Breyer Lights: Amanda K. Ringger Costumes: Jennifer Greeke Performers: Benjamin Asriel, Dominique Bulgin, Cara Liguori, Stefanie Nelson, Jennifer Sydor
Excerpts of Out of Wonderland have been presented at:
-ABC-TV’s Live morning show -The Boston Cyber Arts Festival -DancenOw at Dance Theatre Workshop -The Downtown Dance Festival -The Fieldston Repertory Project -La Mama Moves -Lincoln Center Out-of-Doors -Mamapalooza -Solar One
Out of Wonderland was made possible by the support of:
-The Massachusetts Cultural Council -The Harkness Dance Center @ the 92nd Street Y
-Dance New Amsterdam’s Artist in Residence Program
REVIEWS
"…the program cruised through a series of solid solos, beginning with Stefanie Nelson's ‘Oh Alice’ for Saar Harari. Nelson matched Jefferson Airplane's acid rock anthem "White Rabbit" with movement as ragged and disturbing as Grace Slick's voice. Harari executed a continuous cycle of jerks and spasms with a kind of iron-clad abandon always just on the verge of falling over the edge, or in this case into someone's Chardonnay. Harari performed as if the song was coursing through his veins and taking him for a wild and bumpy trip." Dance Insider, Maura Nguyen Donohue, June 3, 2006
"...Anyone who wanted a crash course in downtown dance currents could have spent several profitable evenings attending the recent “La MaMa Moves!” festival, where some 50 companies and choreographers have been presented over the last two weeks. Narrative — not usually a popular downtown inclination — was surprisingly alive on the final program of “Motion Makers,” on May 6. Zach Morris and Tom Pearson’s enigmatically titled “Rub the Sleep” and Stefanie Nelson’s “Out of Wonderland” both had stories of a kind, even if neither was entirely clear. Both had their moments of loopy charm: “Rub the Sleep” had a 1950s look with oppressed housewives, face cream, lipstick, a sharp knife and a dreaming prom queen; “Out of Wonderland” featured a tortured Lewis Carroll and (perhaps) his real-life Alice..." New York Times, Roslyn Sulcas, May 14, 2007
“Stefanie Nelson's "Out of Wonderland (excerpt)" is a strong duet danced mainly in solos by Saar Harari and Cara Liguori, possibly exploring the unspoken desperation or passions of each partner in a couple. The duo are well-matched, and he, dressed in a suit, has a wonderful Ray Bolger as the Wizard of Oz scarecrow quality...” Offoffoff.com, QUINN BATSON, July 29, 2007
This work was commissioned and presented by Dance New Amsterdam in June 2007.
Sonic Gestures 20 minutes, 2 dancers
Sonic Gestures is a piece for two dancers and live electronics.
In the musical score, the raw material is represented by the sounds produced by dancers’ bodies, captured live by a stage microphone; they are divided in 7 categories, broadly ordered by timber from steps/rollings/screechings on the wooden stage to proper body sounds as hits/whistles/voice clacks/breathing. The performers provide the audio material and control the musical rhythmic flow.
Structurally, the dance evolves from quick motion based movements with high kinetic energy, to fragmentation, to the cessation of movement altogether, stasis. The descent is non- linear, characterized by dips of kinetic energy during the quick motion based movement, and peaks of energy during the movement fragmentation (see diagram). The character of the sonic gestures follows a similar path, climbing from quick, impulsive, low-frequency dominated timbers to texture-like, lighter sounds, leading to the eventual elimination of sound altogether. The live performance is crucial to provide a constant feedback between the dance and the digital elaboration of sound.
Choreography: Stefanie Nelson with Massimiliano Barachini Live Electronics: Andrea Ferrara
Lights: Stefanie Nelson
Costumes: Maria Rosaria Busia
Performers: Massimiliano Barachini, Stefanie Nelson, and Andrea Ferrara
The first version of this work was commissioned and presented by the Florence Dance Center (Florence, Italy) for the series Corpo al Corpo, October 2004 (with dancer Francesca Stampone).
The current version of Sonic Gestures premiered at the Fabbrica Europa Festival in Florence, Italy in May 2005.
Sonic Gestures was made possible by the support of:
Ongakuaw Studios The Florence Dance Center Company Blu
Time Piece 33 minutes, 9 dancers
Choreography: Stefanie Nelson Music: Howard Fishman Quartet, Daniel Bernard Roumain, Erez Kreitner Costumes: Karen Johnson Original cast: Aszure Barton, Nathanael Buckley, Isabel Gotzkowsky, Christophe Jeannot, Karen Johnson, Lesley Kennedy, Stefanie Nelson, Eric Russell, Jon Zimmerman
Premiered 2002.
Portrait of a Father 25 minutes, 6 dancers
Choreography: Stefanie Nelson Original Music: Russell Farhang, Daniel Bernard Roumain Film: John Price Costumes: Kim Lennox Original Cast: Nathanael Buckley, Ben Cortes, Isabel Gotzkowsky, Lesley Kennedy, Rachael Rosen, Eric Russell, Mark Thrapp
Premiered 2001
U Shouldn't Complicate Happiness a dance in three parts: 11 minutes, 3 duets
Choreography: Stefanie Nelson Costumes: Karen Johnson
The Meeting
Music: Django Reinherdt & Stephane Grappelly
Performers: Karen Johnson, Mark Thrapp
The Love Affair
Music: Daniel Bernard Roumain
Performers: Michele DiCola, Erik Kaiel
The End
Voiceover: Holter Graham, Kirsten Krone
author: unknown
Performers: Aszure Barton, Nathanael Buckley